Cindy Vojnovic
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Blog

Woad over weeds-at least a momentary victory

7/20/2024

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Picture
Woad in the bucket, after adding water soaked in wood ash, and before straining and drying into a powder
​It’s a constant battle to pull out the weeds in my woad bed, to give the woad some room to grow. Woad-which has the most active ingredient (indigotin) we need for both dye and pigment-is harvested from first-year plants which grow very close to the ground. The local weeds jump up quickly, leaving the woad literally in their shadow. This past week I pulled wheelbarrows full of weeds out of the woad bed, and the woad responded almost in front of my eyes, I swear the woad was visibly more abundant by the end of the week. Tired as I was yesterday, I wanted to capitalize on this temporary moment of victory-so I harvested some woad. 
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The weird thing was just how easy it seemed. I would compare it to making dinner; it took effort, yes, but it wasn’t like it sucked up the whole day, just one smallish part of a normal day. (If you want to see the whole process, reference this blog post.not-what-youre-supposed-to-harvest-in-october.html) I used less than 500 grams (about a pound) of fresh woad leaves. The first step is like making tea; you don’t boil the leaves, you pour the water onto the leaves and let them steep. You’re supposed to weight the leaves down, so they are surrounded by water during the steeping; I’ve used bricks inside of tupperware and all kinds of crazy things to try to do this, but last night’s innovation was I just stuck my tea kettle (with water in it for weight) on top and it was so easy! The kettle of course has a handle, so it was easy to lift the kettle and stir occasionally. O.K., not exactly earth-shattering but when you do something enough times, all these little discoveries and refinements help to streamline the process, and make it easier. ​
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Left, sample from old batch, right, sample from yesterday's batch! The one on left started out green; even though it's losing the fugitive yellow from sun exposure, it's still much lighter, not as concentrated/has more impurities than yesterday's batch at right.
I got a good yield of super-dark, rich pigment. (See right above) Once I dry the pigment into powder, I like to put each batch into its own little jar. I can compare the color of batch to batch that way, and this batch was definitely top-notch. For comparison, once I did a huge batch, and just didn’t have the patience to wash/strain out all the (non permanent) yellow from the liquid, long story short. I just dried the slurry as-was, and it was a lighter, kind of greenish blue, not the “true blue” that I just got in this smaller batch. So, I put the powder in a nice transparent glass jar and have kept it in the sunniest window in my house. The blue woad pigment is permanent, the yellow not permanent. In the 2 years that the pigment from that batch has been in my window, it has become increasingly blue! I would be wary of using that batch for a painting that I want to last indefinitely, but it was a fun experiment. Even after two years though, it’s not as good as the much more pure batch I made yesterday. Moral of the story I think, is make more small, easy to do batches. 
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    Cindy Vojnovic

    Artist & Educator

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  • Home
    • About
    • Contact
  • Blog
  • Portfolio
    • Recent Work
    • Imaginary Landscapes
    • 2022 Residency
    • Crossing >
      • Fiber Cycling
      • Slow Fashion
    • General Slocum Disaster
    • Sanofi Commission
    • Paintings of Nowhere
    • Byzantine Icons
  • Teaching
    • Student Work
    • Ceramics-Technical >
      • Ceramics Links
      • Heatwork
      • Melt Test
      • NCC East 40 Clay
    • About Teaching
    • Natural Dye Workshop
    • Instructional Videos